A STREETCAR NAMED DESIRE!
Cromer and Sheringham Amateur Operatic and Dramatic Society put on a
thoroughly professional performance when they moulded into their roles in A Streetcar
Named Desire. The scene was set in a somewhat seedy bedsit in New Orleans' French
Quarter, just after World War II and the costumes, especially Blanche's and Stella's,
being very reminiscent of the period. The cast of 15 players, led by Janet Hignett
(Blanche DuBois), Martin Rodwell (Stanley Kowalski) and Amanda Howell (Stella Kowalski),
kept their audience happy, sad and serious throughout. Mitch, played by Paul Markham,
reminded me of Forest Gump in his southern drawl and mannerisms. He added a fierce
temper to those qualities and left everyone feeling very sorry for him. Although
their accents slipped every now and then, they all managed to remain utterly convincing.
The two leading ladies, Blanche and Stella, were, in my opinion, brilliant as the
broken doll, and the bullied, but happy, meek and mild mother-to-be. Stella was a
perfect foil for Blanche as we followed the story through the lies, deceit and the
comical, alcoholic denials. Stanley was the only one who wasn't fooled (I think he
must have been measuring Blanche's alcohol consumption daily) and he kept on pummelling
her innocence, much to the chagrin of Stella, who was forever trying to be the mediator.
But eventually he broke her, cheating on his wife with her sister and then
arranging for Blanche's incarceration in a mental hospital. The supporting cast, who
included Eunice (Bernie Alexandrou) as the sometimes supportive and sometimes
self-indulgent landlady, and Thelma Torr, the old lady from the French Quarter, who often
added a touch of much-needed humour to the proceedings, were excellent. The amount
of studying and rehearsal needed to perform, almost perfectly, is a credit to Hazel
Taylor's direction of this Pullitzer prize-winning drama by Tennessee Williams. This
was an extremely difficult play for an amateur group to perform, and I'll be looking out
for their next production to make sure I get tickets.
By chief reporter, John Humphrey
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DAVENPORT'S CHRISTMAS WONDER SHOW
I had the pleasure of interviewing Roy Davenport a few days ago, and I
must say that when he arrived at my office I was stunned by his appearance. Instead
of rolling up in a pullover and slacks, he stood before me in full evening dress, right
down to his eye-catching bow-tie. I must say that this was one of his illusions, as
underneath was an enthusiastic, clever man, who obviously enjoyed his art and history to
the full, demonstrating some of his slight-of-hand illusions and completely baffling me!
He comes from a long line of Davenports who have been involved in magic since 1890, when
his Great Grandfather, Louis, appeared in Music Hall Shows, displaying his art. Roy
is the 4th generation to be plying his magic on stage. Roy, who doesn't like to be
called a magician, prefers to be known as an illusionist and stage manipulation artist.
He first got involved in magic when he was only four years old; showing his talents
off when only six, and appearing in his first stage performance when he was only 10.
He was lucky enough to appear with "The Great Kovari" as his son, who
normally assisted him, was taken ill. Roy was asked to take his place. Kovari,
a Hungarian, was one of the best-known illusionists of his time, and Roy performed with
him at the Polka Theatre. If he was not already hooked, then he was after that
performance. He furthered his talents later when he was accepted into the Mountview
Theatre School. His talents must have been obvious as each intake of 40 was picked
from 3,000 applicants.
After his education, he set off establishing himself, appearing at
functions such as weddings, anniversaries, etc., going round the tables and demonstrating
his skills at close quarters. Although he still does this sort of function, his main
aim was to perform in his own traditional variety shows. He put on one of his first
major "variety" shows (he stresses that they are not limited to magic) last
year, at the Auden Theatre in Gresham School, Holt. After this success, he was
invited back this year, where "Davenport's Christmas Wonder Show" will take to
the stage on December 19, until January 6, 2006. You can book tickets on 01263
713444. The compère for the show will be the renowned Ali Bongo, an advisor to both
David Nixon and Paul Daniels, and who later had his own series. A long-time friend,
Richard Griffin, with his assistant Haley Jane, will be demonstrating his "Magic with
Class" routine, which has taken them worldwide. Along with the very talented
Demon Dancers, his six-piece band will perform completely live throughout (no pre-recorded
music in this show) and also supporting will be David and Pauline Conway, with their
excellent musical comedy routine; Norfolk's own funny man, Nigel 'Boy' Syer; and,
Australian jazz singer and dancer, DeannaGalipo. All-in-all, a show worthy of the
name "Variety".
Roy has, in the last two years, performed at two prestigious functions: one at St James'
Palace with Sir James Galway, and one for Morgan Stanley at the Palais Verseilles.
He has also won two first places at the International Brotherhood of Magicians'
Southport Convention. As his family have been in the business for 115 years, they
have collected many props and experiences from the magic world and his long-term objective
is to open a museum, in North Norfolk, dedicated to slight-of-hand and manipulation
skills, which will also feature many of the Great Kovari's stage material, which he has
recently bought. So make sure you get your tickets soon, as this bubbly,
enthusiastic artist will be presenting a show not to be missed.
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